ποΈ Materials and techniqueThe choice of the right paper, brushes and palette, control of water and understanding of the essential properties of watercolour applied to the sea, working mainly in technique. alla prima.
π‘ Water, light and depth: analysis of light on the surface of the water, reflections and refractions, contrast and the search for chromatic balance to transmit depth, movement and marine atmosphere.
π¨ Watercolour applied to the seaThe work is based on the use of gradients, transparencies and layering to depict still waters, reflective surfaces and moving seas, combining loose gestures and precise details.
π Waves and dynamismStudy of the structure of the waves, foam, splashes and energy of the sea, learning to represent both the calm and the force of the breaking waters.
β Composition and seascapes: choice of framing, construction of harbour and marine scenes, integration of boats and coastal elements, and keys to a coherent and expressive watercolour both in the studio and on location. plein air.
DISCOVER JULIA BARMINOVA'S TECHNIQUE AND LEARN HOW TO PAINT THE SEA REALISTICALLY!
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